Nue Note Media · Washington, DC

Some records happen.
Some records have to happen.

Nue Note is an independent music company built around the conditions that let exceptional work become exceptional records.
About Nue Note

A label born from making a record.

In 2001, we were developing music in New York with a creative partner. Our founder had studied with Ron Carter and John Patitucci; our collaborator had played in Jackie Byard's band. Together, we found our way to a five-piece—bass clarinet, trombone, conga, upright bass and drums—that neither of us could have imagined alone.

We recorded at Strobert Studios in Brooklyn. We brought in music from the lineage we loved, including compositions by Sonny Rollins and Bobby Timmons, and built something distinctly our own around it.

The recording had a gravity to it. We could hear that it needed to exist in the world.

So we built a label around it.

We pressed the record, released it and played it live. Then life moved forward. The label quieted while the work continued elsewhere.

Years later, a studio of our own took shape. The work deepened. The room became a place for records, voices and ideas to develop without unnecessary friction.

Nue Note is back in Washington, DC—not as a resurrection of something lost, but as a return with more experience, better infrastructure and the same original instinct.

We're interested in records that have something to say, and in artists who want to build something real and lasting.

New York · 2001

New York: It started with the music.

Before there was a label, there was a record. Before there was a business model, there was a group of musicians discovering that the right combination of people could produce something none of them could make alone.

That remains the basic idea behind Nue Note.

2001

A five-piece. Brooklyn. Bass clarinet, trombone, conga, upright bass and drums. A record called Winds and Skins. The beginning of Nue Note Records.

Nue Note Studios

A room built for the work.

Nue Note Studios is in Washington, DC—a focused recording and production environment for music, voice and spoken word.

The studio is intimate by design. The goal isn't to process artists through a facility. It's to give the work enough room to become what it is supposed to become.

Good rooms don't make good records by themselves.
They make good work easier to hear.
Washington, DC

Recording · Production · Voice

Music, spoken word, narration, audiobook work, overdubs, editing, vocal production and the work that happens between an idea and a finished recording.

Work is primarily by invitation or referral.

Technical Infrastructure & Specs

Engineered for absolute fidelity.

Designed with a strict separation of pure-audio signal paths, isolated power conditioning, and high-end digital networking across four dedicated spaces.

The Four-Room Isolation Layout

01 · Control Room

The master command center housing the SSL 360° Hybrid console ecosystem, monitoring, DAW integration, and system routing management.

02 · Live Room

The primary tracking floor featuring the Kawai KG5 grand piano, supported by dual independent headphone monitoring feeds.

03 · Drum Room

A dedicated rhythm floor optimized for the vintage Ludwig drum set, paired with specialized ddrum studio-class monitoring.

04 · Vocal Booth

An ultra-low noise floor environment engineered for pristine vocal, speech, and audiobook capture.

Clean Power & Conditioning

All front-end gear, converters, and electronics are powered through an AnTek balanced isolation power supply, utilizing a heavy-duty toroidal transformer with a built-in Faraday shield to block common-mode noise and incoming AC line interference.

Dual Infrastructure Backbone

Traditional copper multi-core snakes are completely replaced by two specialized tiers:

  • Pure-Audio Transport: Point-to-point audio over Ethernet running to and from the rooms for pristine analog interconnectivity.
  • Dante Digital Network: Switched Ethernet network integrating the Tascam ML-16D A/D converter and the AMS Neve 1073OPX tracking stack (via its Dante card) straight into the DAW.

Cues & Visual Communication

Engineered for rapid, frictionless tracking sessions:

  • Musician-Controlled Wi-Fi Mixes: Independent, zero-latency headphone mixes managed by performers via station tablets (with dual separate mixes in the Live Room).
  • Drum Monitoring: Specialized ddrum studio-class headphones for high isolation and massive SPL headroom.
  • CCTV & Split-Screen Monitors: Closed-circuit video cameras across all four spaces feeding 27-inch split-screen monitors in every room, allowing seamless visual communication across solid acoustic walls.

Microphones & Backline

Optimized for pristine sonic capture, natural transients, and acoustic warmth:

  • AKG C 12 VR & Sterling ST69 Pair: Flagship multi-pattern tube condensers and matched tube pairs delivering legendary top-end air, vintage saturation, and deep harmonic richness.
  • Royer R-10 Pair: Matched active/passive ribbon pairs capturing smooth, buttery transients, natural warmth, and exceptional figure-8 room depth.
  • Neumann KM 184 Pair & Sennheiser e 614: Matched small-diaphragm precision condensers alongside tight-pattern instrument condensers for hyper-accurate acoustic capture and overheads.
  • Pacific LDOne Pair & DPA 4099: Custom wide-imaging stereo condensers and specialized clip-on acoustic mics.
  • AT35 & Shure SM57: Versatile large-diaphragm workhorses and industry-standard dynamic mics for high-SPL sources and vocals.
  • Acoustic Treatment & Backline: High-density boundary controls, Thermafiber SAFB ceiling insulation, the Kawai KG5 grand piano, and the vintage Ludwig drum set.
Grammy-winning studio

That Grammy happened here.

In 2025, Nue Note Studios contributed recording and production work to a project that went on to win a Grammy.

The work began simply: a young poet, a remarkable performance and a microphone in a room. We recorded and shaped the performance and delivered it into the production of the album.

The album was nominated. Then it won.

We are proud that Nue Note Studios is part of the story behind a Grammy-winning record.

68th Annual Grammy Awards · 2026
Words For Days
Vol. 1
Mad Skillz
Winner · Best Spoken Word Poetry Album
Words For Days Vol. 1 album artwork
What We Do

The infrastructure around the record.

The studio is part of the model, not the whole model. Nue Note provides the practical infrastructure required to move exceptional work from recording through release and into the world.

01

Studio

Recording, overdubs, vocal work, editing and a serious room in which to make the work.

02

Production

Creative and technical production that serves the record rather than imposing a formula on it.

03

Distribution

Practical pathways for getting finished records into the places where listeners actually find them.

04

Management Guidance

Strategic guidance around the decisions that surround a release, without pretending every artist needs the same career plan.

05

Touring Support

Planning and support for taking the work beyond the recording and into live performance.

06

Promotion

Thoughtful promotion designed to put the right work in front of the right people—not simply generate noise.

Nue Note Records

Selective by design.

Nue Note isn't trying to build a roster for the sake of having a roster. We are looking for records with a point of view and artists who want to make something that lasts.

The studio and the label share an ecosystem. They do not share an obligation.

01

The work comes first.

A relationship begins with the music, not with a generic submission funnel.

02

A three-record relationship.

When Nue Note and an artist decide to work together, the relationship is built around three records rather than a one-release transaction.

03

Make the record.

Recording and production are developed with the artist, with the studio available as part of the infrastructure—not as a mandatory gateway to the label.

04

Build the release.

Distribution, positioning, promotion, touring and practical career guidance come together around the finished work.

05

Keep building.

Three records gives the artist and Nue Note enough runway to learn what works and build something coherent over time.

The studio is a destination.
The label is a relationship.

An artist may come to Nue Note to record and never have a label conversation. That's completely fine. The studio exists to serve the work. The label exists for the artists and records we choose to build with.

Contact

Start a conversation.

Nue Note work is primarily by invitation or referral. If you've been referred to us, tell us who sent you. If you're reaching out about the studio, a project, voice work or something else entirely, tell us what you're working on.

We read everything. We don't promise everything.

By submitting, you are simply starting a conversation. No automated mailing list. No sales funnel.
Thanks. Your message made it through.
Private Artist Access

The bigger picture.

This area is for artists who are already in conversation with Nue Note. It explains how the label relationship works beyond the public-facing site.

Nue Note Records

What working together means.

Nue Note is intentionally small. The point isn't to sign as many artists as possible. The point is to put meaningful resources behind a small number of records and give those records enough attention to matter.

The three-record relationship

A Nue Note label relationship is structured around three records. That gives both sides enough time to make something coherent, learn from each release and build momentum without treating every album as an isolated transaction.

One standard for artists entering this tier

The three-record structure is designed for artists entering Nue Note's core artist relationship. It is not a statement about where an artist is in their career. An artist may be emerging, established or already highly accomplished and still enter through a relationship that fits this structure.

The important thing is that artists working within this tier receive the same fundamental commitment, infrastructure and economic progression. The starting point is about the relationship we are building—not a judgment about the artist.

What Nue Note brings

  • Recording and studio infrastructure when appropriate
  • Creative and technical production
  • Release planning and distribution
  • Promotion and positioning
  • Management guidance around the project
  • Touring and live-performance support

How the economics work

The economics are designed to change as the relationship develops. Nue Note takes more risk early. As the artist builds, the artist's participation increases.

Record One

Nue Note invests.

We fund recording, development, marketing and touring. Management begins immediately. Management compensation is deferred—that's our initial bet.

Record Two

You participate more.

Your underlying participation in applicable live and merchandise revenue increases to 70%. You get to experience that improvement before the next management-fee economics take effect.

Record Three

The partnership scales.

Your participation increases again to 75%. The progression recognizes what you've built.

The point:
Milestones should feel like milestones. When you reach the next level, you should actually feel it economically—before the next management-fee cycle begins.

After the three-record relationship

Completing the initial three-record relationship creates an opportunity to decide what comes next. It is not designed as a forced exit.

If the relationship is working, we would much rather build something bigger together than simply walk away because a contractual term has ended.

At that point, the relationship can become something substantially more expansive. Economics, production, management, catalog participation, creative roles and other elements can all be reconsidered in light of what the artist and Nue Note have built together.

The next relationship is negotiated from the position you've earned—not automatically imposed by the first one.

What the relationship is not

The studio is not an audition room for the label. Using Nue Note Studios does not create an obligation or expectation that an artist will pursue a label relationship with Nue Note Records.

Likewise, an artist working with Nue Note Records does not have to use the studio for every piece of work. The goal is to use the right resources for the record.

A different starting point is possible

Not every artist arrives at the same point in a career. If an artist's circumstances, experience, catalog, audience or trajectory call for a different structure, that conversation can happen.

The three-record relationship is our core framework—not a ceiling.

Private project details

Specific economics, rights, schedules, budgets and contractual terms belong in the individual artist agreement. This page describes the philosophy and general structure of the relationship; the agreement governs the actual deal.

The basic idea:
Make something worth hearing. Give it the conditions to become what it can be. Put real infrastructure behind getting it into the world. And if we build something together that works, keep building.